Thursday, January 17, 2013

Black Elk and Me: Spiritually Inspired and Questioning

Today, I've decided to write about an issue that comes up during my readings on spirituality (for me, specifically these have been Folk Catholic practice, witchcraft, Spiritualism and Espiritismo).

This issue is about being inspired by someone and then finding out that they later converted to another religion.
The questions I ask and I'm sure that many others do, too are:

  • Am I being misled?
  • Can I still draw inspiration from this person's teachings?
  • Am I even on the right path?
I've decided that even if that person has decided to take that path and has found fulfilment then there is nothing that I can really say to negate that person even if I disagree with their direction (as we seem to be along the same path).
I can still take inspiration from that person, as both they and I are connected to God, the Source (Brahman, Ain Sof, the Godhead, etc.) And for me obviously, spirituality is an inner journey, about finding out what I connect to.

The title of this post refers to Black Elk, author with John Neihardt of Black Elk Speaks. Black Elk has been quoted many times for his original American Indian/Native American spirituality. I am sure that many people do not realise the conversion he undertook towards the end of his life (to Catholicism). This does not take away from the fact that we can be inspired by his teachings but we should still be aware of his total religious journey. I've been inspired by several people who've later taken faith in Catholicism or Islam.

Further information:
Black Elk Speaks by John Neihardt: http://www.amazon.com/Black-Elk-Speaks-Premier-Edition/dp/1438425406/ref=pd_sim_b_9
Black Elk on Wikipedia: http://en.wikipedia.org/wiki/Black_Elk

Monday, January 7, 2013

Aramaic Language

This post explores the Aramaic language


Firstly, it is important to understand the context through which the language first developed:

Aramaic started as the language of the Aramaean people.
The Aramaean people were a Semitic-language speaking people (like Hebrew and Arabic) that lived in South-Eastern Anatolia (present-day Turkey) and present-day Syria from the periods of 1200 BCE  until the Islamic conquest in the 7th century CE. They practised a polytheist religion (meaning they believed in many gods and goddesses such as Atargatis, a goddess represented as a mermaid).
They were known for their trading ability and for being shepherds. They established their capital in Damascus, the present day capital of Syria. Their trading ability encouraged the use of the language as a lingua franca (common tongue),  leading to its use by a variety of people (Persians, Arabs Assyrians, Jews,  and others).
(NB. there has been a recent movement declaring Aramaean identity, I am still unsure of the continuous history of this group)

Now in regards to the language itself:

It is a Northwest Semitic language (just like Phoenician which is extinct and Hebrew which is still spoken),
Aramaic as being a language family or a group of closely related languages which at the same time are spoken of as versions of Aramaic (in parallel to the various forms of Chinese which are called dialects but can be languages as well)
the language is presently used in several contexts: liturgical and vernacular.
Liturgical relates to the use of a language in a religious context: for example, Aramaic has been used as one of the two key languages of Judaism, as Aramaic was spoken by the majority of Jews (as a first or second-language) throughout the Classical period.

It is also important to note its fame as the language spoken by Jesus, the key figure in the religion of Christianity.

Vernacular Aramaic refers to the contemporary and colloquial use of the language: Turoyo is a vernacular form of Aramaic spoken in Southeastern Turkey yet it is not used in the church (where Classical Syriac, the liturgical language is used).
The vernacular language is spoken by Assyrians/Chaldeans (in Iraq, Turkey as well as Sweden and other areas), Mandeans (a group from Iraq who believe in a Gnostic religion which holds John the Baptist as their chief religious figure), Arabs (in several towns in Syria such as Ma'aloula) and Jews (formerly living in Turkey and Iraq yet presently living in Israel although mainly spoken by an elderly population).

Now to a phonological understanding:
the key phonemes or basic units of sound which are distinct in regards to the English language are:
ḥ(Heth) which is similar the ch in the Scottish word loch or in the Jewish name Chaim.
(Sade),
a letter which is called an emphatic consonant where the airflow is stopped after the sound thereby creating a break between it and the next letter.

ʿ  (Ayin), is a very rare sound, the best way to explain its pronunciation is through showing the spoken example here(under the sound there is a play button to press). It is a voiced sound meaning the vocal chords, vibrate during the pronunciation of the sound.

Main alphabets used to write Aramaic:
Aramaic is written in the Hebrew alphabet, an alphabet based on the Imperial Aramaic square alphabet during the Akkadian (Assyrian) empire.


 The other major alphabet used is the Syriac alphabet, this is an alphabet which has three forms:
Estrangela, the original which is more square-shaped, (using the first letter Alaph for comparisons)

Syriac Estrangela alap.svg



Madnhaya, the version used among Eastern Syriac (Assyrian/Chaldean) religious communities which is similar to the original with a slightly more cursive look,
Syriac Eastern alap.svg
And finally, Serto, the version used among the Western Syriac religious communities (Maronite, Syriac Orthodox) which has a more cursive look resembling Arabic,
Syriac Serta alap.svg


(For a religous perspective on Aramaic as a sacred language, click here).
Further information:
http://en.wikipedia.org/wiki/Aramaic_language
http://en.wikipedia.org/wiki/Syriac_language

Thursday, November 22, 2012

Malayo-Polynesian word correspondences

Comparing Different and Related Words of Malayo-Polynesian Languages

Through writing this text I am to explore relationships between related words ( cognates) of Malayo-Polynesian (M-P) languages such as Malagasy, Malay/Indonesian(Ind.) and Maori.

God in M-P Languages


Maori - Atua
Malagasy - Zanahary
Malay/Ind. - Tuan (lord, earthly), Tuhan (divine lord)

According to Blust's Austronesian Comparative Dictionary (2012), the origin of these two words is qatuan. The Malagasy word used is not stated and I cannot truly say whether it is related or not. Whereas, hamba and andria (Andriamanitra - God - Malagasy) are related, both meaning slave.

Child or Children in M-P Languages

Malagasy - Zanaka/Anaka.
Malay/Ind.- Anak
Maori - Tamaiti
Notice how the Maori word, stands out from the others? Tamaiti has a different root, the only root I could find in Blust's (2012) actually led me to *t-amai which relates to the words for father.

I  in M-P Languages

Malagasy - Aho
          Indonesian  -  Aku/Saya
    Maori    -    Au
Note: All these languages share a common root, Aku is a loan word (borrowed) from Javanese (the language used on most of Java), Saya is the Malay word coming from sahaya meaning slave (Babylon).


Sources:

http://www.trussel2.com/acd/acd-hw_a1.htm
http://thesaurus.babylon.com/sahaya

Thursday, October 25, 2012

Teachers and the Beloved Dead of Afro-Brazilian Music

After completing a Capoeira Angola session today I had an a-ha moment, connecting the various Afro-Brazilian music traditions in their love for their dead teachers. We spoke of honouring our mestres (teachers), louvação in Portuguese. Not just our mestres, but Deus (God), Nossa Senhora (Mother Mary), etc.
Most African traditional religions value the place of their ancestors in their descendents lives, this was a heritage that was brought to Brazil by slaves from both Sub-Saharan Africa (Angolan, Congolese) and West Africa (Nigerian, Beninese, Togolese)

Here's one example of a tradition where this is relevant: Jongo.
Jongo is a musical tradition based in South-Eastern Brazil (also known as Caxambu).
Jongo is related to a tradition called Jinongonongo brought to Brazil by Angolan slaves being a guessing game, involving some symbols with mystical or paranormal effects.
In Jongo they pay respect to the previous leaders, jongueiros/jongueiras(if female) and souls of the old black slaves also known as the almas santas or holy souls.
Here is a video incorporating Jongo music by the Brazilian group Jongo da Serrinha and respect to a founder and teacher Dona Maria do Jongo.


Another example is Congado.
Congado is a musical tradition of Afro-Catholic heritage involving the traditions of Sub-Saharan slaves (Bantu) in Brazil which adapted to their lives as Catholics (although it was not completely accepted by the church in Brazil and is performed in the streets through processions).
Congado involves leaders known as capitães (captains) who are in the major processions (e.g. Moçambique which is named after the slaves from Mozambique). Capitães and other leaders are revered by the members of the Congado procession as well as Catholic figures like Saint Benedict (São Benedito). For instance, in Rio dos Mortes, as the procession passes the cemetery, respect is shown to the congadeiros who passed on, to those who gave them (their descendents the tradition) (Pereira 2011).
Here's a video of a Congado procession dedicated to Saint Benedict:


 Sources used:
Pereira, A 2011, Um estudo etnomusicológico do congado de Nossa Senhora do Rosário do Distrito do Rio das Mortes, São João del-Rei, MG. URL: http://www.bibliotecadigital.ufmg.br/dspace/bitstream/1843/AAGS-8P9P37/1/disserta__o_andr__pereira.pdf
http://en.wikipedia.org/wiki/Jongo

Thursday, August 2, 2012

Complete/incomplete

I don't need them to be completed
but I am only incomplete,
it's as if the pieces of the puzzle
which I need to find inside me
are already placed in someone else.
To be completed I need to find out what I lost:
what was lost during that ill-fated period,
that sense of self and the pieces that I had not yet found.

Saturday, May 12, 2012

Ghost Ships of the World: El Caleuche - Chiloé Island, Southern Chile

Ghost Ships of the World: El Caleuche - Chiloé Island, Southern Chile: According to Chilean legend, based on the mythology of the people of Chiloé Island, located about 600 miles south of Santiago, a ship sails ...

Tuesday, May 8, 2012

Contacting The World Festival

Hey,
check it out. It's an English festival incorporating theatre companies from different parts of the world using 'crowd-funding' to support their actors and festival planning.